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Entries in Sara Paretsky (2)

Monday
Nov092009

on Sara Paretsky's blog

Sara with other readers & writers at Bouchercon breakfast  People who'd attended previous Bouchercons noticed various innovations this year. One was the continuous conversation - seventy or so authors in groups of three sitting in a side room swapping anecdotes and opinions. I went to listen to my new friend Reggie Nadelson (author of the new York based 'Artie Cohen' mysteries) and then on the following day to Sophie Hannah (recommended by Nicci Gerrard) and Ruth Dudley Edwards who writes frivolous crime fiction (most recently Murdering Americans) and really important and serious non fiction (notably on the Omagh bombings). There weren't many listeners to the conversations, usually a dozen or so, and this was a pity because what was being said was frequently funnier and more perceptive than the comments at the panel events. Organisers of the future, please note.

Another innovation were the 'hot ticket' seminars organised by the Mystery Writers of America. Ten major league writers, ten tickets for each event - to be won by writing a brief essay -- 'Why I would like to meet Sara Paretsky' f'r instance -- or simply being picked out a hat. I wrote an essay and got lucky - and here's the proof, a photo on Paretsky's blog. It was charming when she whipped out her digi camera and organsied the happy snaps, charming and consummately professional as she introduced subjects of conversation, explained sporting naunces to the lone Britisher (me) and generally drew the ten lucky attendees out of our star struck shynesses. It was a breakfast event with bagels and coffee and the only thing that stood in the way of complete enjoyment was the griping realistaion that this was yet another way that a writer was being kept from writing. Or at least from lying snoozzily in bed letting the ideas from last night's subconscious drift up into the area of creative possibility, like bubbles in a lava lamp..

Wednesday
Oct072009

The N word

A Family Sunday in the Park by Sara Paretsky is a short story published in a collection celebrating 20 years of Sisters in Crime. It's an account of V.I.Warshawsjki's first case and gets its impetus from a fictional family split within the Warshawski family at the time of the Chicago Race Riots. One household says 'nigger'; the other bans the word. No prizes for guessing where V.I. stands. The Chicago riots were part of the civil liberties movement of the 1960s. Language was political and highly charged and use of the N word is a simple shorthand for Paretsky to draw the lines of acceptability. It's a little more complex back in the 1930s. When thinking about Cheapjack as a 2010 re-publication I wondered whether we might need to do a Christie and knock out the word. But if we were worried about offending folk in Cheapjack almost all the book would have to go (especially the passages describing Welsh farmers). Napoleon Jackson, the 'tall African nigger' who Phil Allingham meets on a fairground in Mold is an impressive character making the most of his colour: "How is that I was born black and you were born white?" he asks rhetorically. But his rhetoric has nothing political about it - it's merely part of the warm up for a game of Chance - a game that he has rigged in a manner worthy of Derren Brown. (Read the book to discover this simple technique.)  His talkof colour, and social injustice and even religion is all part of his 'flash', his 'bit of moody'. Jackson takes to Allingham and proposes they team up for their mutual commerical benefit.  "You could say a lot of things about a darkie that I dare not say myself. We'd knock 'em all cold." Cheapjack makes its way though the world of Jews, gypsies, darkies, London Mobsters and fake orientalists - united by their common occupation as grafters. The outsiders in this story are the rest of us - the 'chumps'.